Category Archives: DIY & Crafts

DIY Tutorial: How to Make Wrinkle-Free Paper Decoupage with Golden Medium

I explained in a previous post about how I’m wrestling with wrinkles. For wrinkles on my face, I found AHA facial masks helped minimize those wrinkles. What I didn’t have a solution for until recently is wrinkles in paper decoupage! Because this is a DIY/design blog and not a beauty blog, today I’ll talk about solving the wrinkle problem in paper, because decoupaged paper gets wrinkles too.

How to Make Wrinkle Free Paper Decoupage Collage

Here are the keys to a wrinkle-free surface on decoupage projects:

  • COAT with Golden Polymer Medium (Gloss or Matte)
  • DESIGN your collage as you usually would
  • HEAT with a heat sealing iron/tack iron or household iron

Step 1: COAT

To learn why I recommend Golden Polymer Mediums, see my previous post that explains why you should use Golden Polymer Mediums and not glues like Mod Podge or Aleene’s Tacky Glue.

Yes, Golden Polymer Mediums might cost more than Mod Podge or Aleene’s Tacky Glue (see a money-saving tip below). But trust me, if you don’t want wrinkles in your decoupage projects, the money spent on Golden Medium, plus following the steps I share below, is worth it. For years I wrestled with Mod Podge and trying to smooth wrinkles, poke wrinkles, or slash them with an xacto knife and smoosh out the air, etc. etc. etc. None of it worked. Every project got permanent wrinkles.

I now follow the COAT – DESIGN – HEAT steps, and the messy wrinkle days are over!

Golden Polymer Medium Gloss and Matte for Decoupage

Golden Polymer Medium is available in Gloss or Matte. I use both Gloss and Matte for the COAT – DESIGN – HEAT method. Both work for me. Your choice depends on whether you want a shiny surface or not. Here’s the difference:

Non-shiny finish with Golden Matte Medium:

Paper Collage with Golden Matte Medium

Shiny finish with Golden Polymer Gloss Medium:

Paper Collage with Golden Polymer Medium Glossy

The shine is showing where light hits these pictures, but the whole collage is shiny like that.

Golden Polymer Medium is a professional artist supply, so you’ll find it at art stores like Blick Art Supply (Gloss and Matte). You can get it on Amazon (Gloss and Matte). I’ve seen it in the art aisle at Michaels.

Coating Paper with Golden Polymer Medium

Once you have your choice of Gloss or Matte Golden Medium, next follow these steps:

  • Choose the pieces of paper that you want to use for collage. I usually use colored, patterned scrapbook papers.
  • Using a soft paint brush or foam brush, brush a thin layer of Golden Gloss or Matte Medium over one side of the paper.
  • Let the medium dry. It will dry quickly. Your paper may bend a bit when it’s wet with the Medium, but it will flatten out. (Note: Don’t let the papers touch each other when the Medium is wet – the papers will get stuck together!)
  • Turn the paper over and brush a thin layer of Golden Gloss or Matte Medium on the other side of the paper. Let the medium dry.
  • Choose a surface you want to adhere the papers to. You can use a heavier scrapbook paper as a base. Some collage artists recommend using thick 140 lb watercolor paper. You can also adhere papers to wood boards, canvas (be sure the canvas is stretched very taut), foam core board, etc.
  • Brush a layer of Golden Gloss or Matte Medium onto the surface you want to adhere the collaged paper to. Let the medium dry.

Papers for Decoupage

Golden Medium on Decoupage Collage Paper

Drying Paper

Coating Substrate

STEP 2: Design

Now it’s time to create your collage! The fun stuff!

  • Arrange the papers into a collage.
  • Cut the papers, rip them.
  • Layer the papers and build up papers on top of each other.

Layering Papers in Collage

If you coated papers on both sides with Golden Medium, just layer your papers on top of each other — after the next heating step, they’ll all stick together. You can even add other things like string or yarns, lace, etc. Just be sure to coat these things with Golden Medium too, so everything will fuse together in the next step.

This Design step is all up to you — your time to have fun and be creative!

STEP 3: HEAT

When the papers are arranged the way you like them, next you will set the papers with heat. This will activate the medium and make everything fuse and stick together. Without wrinkles!! For this step, you can use a “tack iron” or “heat sealing iron.” It’s a small iron:

Hangar 9 Heat Sealing Iron Collage Decoupage

I got the Hangar 9 Heat Sealing Iron. Because it’s small, it’s good for decoupaging on smaller surfaces where a regular size household iron won’t fit. I’m decoupaging papers in boxes to make decorative niches, and this Hangar 9 iron is perfect for getting into the little corners:

Heat Sealing Iron for Decoupage with Golden Medium

If you don’t want to invest in a heat sealing iron, you could use a household iron, but be careful to test it first at low settings, so you don’t heat it up too hot.

You will also need a special paper between your Medium-coated collage papers and your iron. You don’t want to put your iron directly onto the Medium or it will cause a mess and possible flammable hazard. I used the Release paper from collage artist Jonathan Talbot. Look for silicon and teflon papers that are designed to protect things while heat pressing. The good thing is, the papers are reusable for a long time to stretch your dollars — you can re-use them for years. Here’s some Teflon sheets at Amazon.

Fusing Everything Together with Heat

  • Plug in a heat sealing iron, also called a “tack iron,” or use a household iron.
  • Lay a release sheet (silicon or teflon sheet) over the paper collage.
  • Push the iron lightly over the release sheet, heating all areas of the collage. It doesn’t have to get too hot. I set my tack iron at heat setting 3, the mid-way point, and that’s working fine.
  • Take a look at your collage, check to be sure all papers are adhered. If some areas are still loose, run the iron over those areas.
  • It’s also possible that if you missed applying Medium to some edges, the edges won’t adhere. Simply dab some Medium on areas where it’s missing. Let it dry. Then heat the area with the iron.

Heat Sealing Decoupage Collage

Sealing Decoupage with a Tack Iron

The final result should be a wrinkle-free collage! Woo hoo! Yay!!!

No Wrinkles in Decoupage

I know it’s hard to see here, but this surface is as smooth as glass! No wrinkles or bubbles anywhere!

I’m not done with this project yet. You’ll see in posts to come, this will become a bejeweled niche with a Rajasthani-style arch, inspired by Jaipur, the Pink City of India. I cut an arch with the Cricut Explore Air, and next need to cut the arch from plywood with a jigsaw. This is what’s next:

Arch

Storing extra papers

You might have pieces of paper left over that are coated with dried Medium. You can use these papers later for more collages. But when you store them, separate the Medium-coated papers between pieces non-stick release paper or wax paper. This way, your coated papers won’t get all stuck together.

Supplies Needed

Here’s a summary of the supplies:

  • Golden Polymer Medium in Gloss or Matte
  • An iron: a heating sealing/tack iron or typical household clothing iron
  • Silicon or teflon release paper
  • A surface to adhere paper to: thick 140 lb watercolor paper, or other surface like thick paper, wood, canvas, other hard panels
  • Soft paint brush or foam brush
  • Scissors
  • Paper towel

MONEY-SAVING TIP

I’ve used 40% and 50% off coupons on Golden supplies at Michaels, which cuts the cost considerably. My local Michaels has both Golden Matte Medium and Golden Polymer Gloss Medium. I do enough decoupage that I buy the 16 ounce size bottle.

I will also buy Golden products on sale at Blicks Art Supplies. If they have 40-50% coupon discounts, I am not aware — if they do, someone please tell me!


This post contains affiliate links, which means I receive a small percentage of compensation at no cost to you if you purchase after clicking the link. I post affiliate links when I have purchased from the company or used the product, and I can confidently share the company or product. This helps offset the cost of running this blog for you! For more info, see Disclosures & Policies.




Did you like this post? Don't miss out on more:

What topics interest you?


DIY Tip: Wrinkle-Free Decoupage with Golden Polymer Medium Instead of Mod Podge

Oh my goodness, how I’ve wrestled with wrinkles! Not so much on my face (yet …) but with paper! If you’ve ever decoupaged with papers, you know what I’m talking about. Some people say wrinkles make texture, and that’s a good thing. I suppose they can be a good thing. It depends on the look you want. Maybe I need to loosen up, but I so hate wrinkles that I’ll even iron a t-shirt and jeans before wearing them! So I personally don’t want wrinkles in my scrapbook paper collages. But, wrinkles have happened:

Decoupage Wrinkles

Again and again, wrinkles happen. And again and again I spend hours Googling, trying to find a solution to the problem. I shared some wrinkle prevention tips on my most popular post about scrapbook paper wall art:

  • Try Aleene’s Tacky Glue instead of Mod Podge.
  • Use thicker papers.
  • Let glue dry for a bit before applying paper.

But those aren’t fail-safe solutions. Wrinkles still happen to me, and probably to you too.

I recently decoupaged scrapbook papers on a big 4.5-foot by 5-foot wall art project:

Scrapbook Paper and Stencil Wall Art

There are some wrinkles in it, but not too bad. I used a professional grade bookbinding glue found at Blick Art Supplies. It worked much better at preventing wrinkles than Mod Podge or Aleene’s Tacky Glue. But I’m setting the bar high, like zero tolerance level. I’d really love a 100% wrinkle-free decoupage project.

Now, I found the solution!

The Solution: Golden Medium + Heat Seal Method

I found this solution at Laura Lein-Svencner’s website. I learned more and got some products from Jonathan Talbot’s website. Both artists are collage artists. Today I’ll share what I learned from them, and then I’ll post separately a DIY tutorial to show how to create wrinkle-free collages using these supplies:

Decoupage with Golden Medium Supplies

The three most important keys to a wrinkle-free surface are to:

  1. Use Golden Polymer Mediums
  2. Coat papers with the Golden Polymer Medium
  3. Heat the papers with an iron

The Golden Polymer Mediums come in Gloss and Matte finish and I’ve tried both. They both work to adhere papers. So the choice depends on your personal preference. I personally prefer a Matte finish. Here’s the Matte finish — it is non-shiny and looks like the original paper surface:

Paper Collage with Golden Matte Medium

Here’s the Gloss finish — it has a shiny finish:

Paper Collage with Golden Polymer Medium Glossy

The shine is only showing up where light hits these pictures, but the whole collage is shiny like that.

Also note: Do you see any wrinkles? While there are some brush strokes, no, you don’t see wrinkled paper! Woo hoo! So far I’ve made many paper collages using this method, without any wrinkles.

In the next post, I share the step-by-step tutorial that shows how to make wrinkle-free collages with Golden Polymer Mediums, and how to use heat from an iron to fuse the papers together. Visit that post to see how to do this yourself!

More Info

If you want learn more:

  • Laura Lein-Svencner put together a useful reference list about various glues and mediums for decoupage and collage. It explains Mod Podge vs. Yes Glue vs. Golden mediums and more. She shares pros and cons like what to use if you want craft vs professional-level results, what glues might yellow over time, etc.
  • Jonathan Talbot wrote an easy-to-understand post that shows how to fuse papers together with Golden Medium and heat.
  • Here is another post about this heat fusing method.
  • Another another post describing the method, along with some pretty and inspirational collages.

This post contains affiliate links, which means I receive a small percentage of compensation at no cost to you if you purchase after clicking the link. I post affiliate links when I have purchased from the company or used the product, and I can confidently share the company or product. This helps offset the cost of running this blog for you! For more info, see Disclosures & Policies.


 



Did you like this post? Don't miss out on more:

What topics interest you?


DIY Indigo Pillow with Dye Kit & Moroccan Stencil

In the last post, I shared a DIY Indigo Textile Dye Kit. The kit gives you everything you need to dye fabrics with an indigo blue color:

DIY Indigo Textile Dye Kit

See the previous post for more information about this indigo dye kit and where to get it. Today I will show you what I made with the kit.

DIY Indigo Pillow

I went on a few creative detours while making this indigo pillow. Long story short, I’m used to paint, which I can control better. The dye did what it wanted to do. It wasn’t in my control. Maybe that’s because I’m new with dye, and I didn’t know how to manipulate it to get the look I wanted. Sometimes with creative materials, you need to give in and let the process unfold into something you didn’t expect. But in the end, I couldn’t give up the control! I learned, I have control issues! I ultimately painted over the dye to make the clean pattern I wanted.

So here’s what I did. The DIY Indigo Textile Dye Kit comes with a large 27″ x 27″ piece of cotton fabric. It’s white, and I wanted a beige background. So I dipped the fabric in water colored with a neutral Annie Sloan Chalk Paint. This colored the cotton fabric, from white to beige:

Dye White Fabric Beige

I let the fabric air dry and ironed it.

I wanted to make a Moroccan stencil pattern with the indigo dye, using the Mamounia Moroccan Trellis Furniture Stencil from Royal Design Studio. My first idea was to create a resist, where the fabric would resist the blue dye, leaving the original beige fabric color. To do this, fabric I “painted” the fabric with Clear Soft Wax from Annie Sloan. I used a large brush and brushed the soft wax onto the fabric through the stencil, just like stenciling with paint:

Stencil and Annie Sloan Clear Soft Wax

Stenciling with Annie Sloan Clear Soft Wax

Oh my goodness — it’s winter, I live in cold weather near Chicago, thus very dry hands!!

Next I mixed indigo dye with water, almost like a watercolor.

Watered Down Indigo Dye

I brushed the watered-down blue dye over the fabric. See here how the pattern emerged around the wax resist as I painted:

Painting with Indigo Dye

Lots of dye went through the fabric onto the foam core board behind. Here’s the foam core board!

Foam Core Board Mess

TIP: Protect your surface!

If you do this, protect your surface! I placed white foam core board under the fabric. Lots of dye went through the fabric and soaked into the foam core board. So definitely don’t play with this dye without protecting your surface first.

Unexpected, Uncontrollable Things

Something unexpected happened. The watered-down blue dye ran underneath the fabric. It dyed the fabric blue from underneath the wax. This made a dark blue/light blue pattern, which was different than the blue/beige I originally wanted. I liked the deep blue pattern you see in the video and the picture above with the paint brush.

But as the dye dried, the fabric changed. It got really blurry, fuzzy and messy looking, and in some areas it was really hard to see the stencil pattern. It’s like the pattern was disappearing before my eyes! I was not happy. I rinsed the fabric before the dye dried, in the stainless steel kitchen sink, washing much of the dye out. This made the pattern show again, but overall it looked messy to me.

Indigo Dye Pillow Fabric

I had a picture in my head of the end result I wanted to make, and the dye wasn’t doing it. This is where I could have given up control and let the dye do its natural thing. But I just couldn’t give up the original idea!

I let the fabric dry, ironed it to set the dye, and let the fabric sit for awhile as I decided the next step.

PaintING Expectations

I decided to lay the stencil over the fabric again, and paint with neutral color fabric paints. I knew this would make the indigo blue/neutral pattern contrast that I originally wanted.

I found some light and dark beige fabric paints in the craft store in our basement. That is not a joke. There’s so many DIY supplies down there, I do have a craft store in my house! As I painted, I blended colors through the stencil for a mottled effect.

Stencil Over Indigo Dye

Fabric Paints

Stenciling Fabric Paint Over Indigo Dye

Finally, happy!

Indigo Dye and Fabric Paints

This is the look I was trying to get! This is an example of “don’t give up.” Don’t wad up the fabric and throw it in the trash. (I did think about that.) If something isn’t working, set it aside for awhile. The answer will come to you.

I had a pillow form from Crate & Barrel, also in the craft store in our basement. I cut the indigo Moroccan fabric to fit the pillow form. I found a blue herringbone fabric in my fabric stash for the back side of the pillow. I liked the contrast of the two fabrics — one bohemian and patterned, one conservative and all lined up perfectly. I had two navy tassels bought in the souks of the Marrakech medina. I sewed these all together into a pillow.

Indigo Dyed and Painted Fabric

Moroccan and Herringbone

Marrakech Tassels

Here it is, a boho blue indigo pillow, on my mom and dad’s family room couch:

Indigo Pillow

I gifted the indigo pillow to my mom for Christmas. I knew it would look great with her blue and neutral decor, and it would add Moroccan pattern to her other pillows.

DIY Indigo Pillow



Did you like this post? Don't miss out on more:

What topics interest you?