Two things I suggest at the tutorial post to get the rich Fortuny look:
Use real silk fabric. I found that a heavier silk taffeta looks nice. I think silk dupioni is too slubby-looking for the fine Fortuny look, and thinner silks like crepe de chine are too flimsy. Taffeta is just right.
Here you can see a close-up of the Stencil Cremes on my silk taffeta and silk velvet:
Real Fortuny Pattern Inspiration
Now here are examples of real Fortuny fabrics, to give you some inspiration:
I think Fortuny’s damask patterns, like those shown above, give the classic antique and vintage Fortuny look. They also have tribal and Moroccan-inspired patterns, so there is variety to the Fortuny style.
Stencils to get the Fortuny look
It’s not a surprise that stencils can give you the Fortuny look, because Fortuny uses stencils. Here are a bunch of recommended stencils, all from Royal Design Studio, that can give you the classic Fortuny style.
I think all of these would give you a Fortuny look! Now, some stencils cost more than others so you may also want to choose a stencil based on your project and whether you would re-use the stencil for other projects. I made three pillows for my living room sofas, and I’m sure I’ll be using these stencils again in the future. You can also stencil on bigger pieces of fabric to make bigger things:
Recover chair cushions
Make a long bench cushion
Stencil on a duvet
Make a wall hanging
Stencil on curtains
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When stenciling on fabric, I recommend that you use a textile medium. It’s a liquid that you mix with paint so that the paint will stay softer and pliable after it dries, instead of crunchy feeling. You can find textile medium near the acrylic paints in a craft store. I also give more tips for using textile medium in the “faux Fortuny” tutorial post at Paint+Pattern — check it out!
Have you ever dreamed of making your own patterned fabrics? You can! You can unleash your inner textile designer, very easily. How? With paint and stencils! Most tutorials that show how to design textiles talk about using Illustrator or Photoshop to design patterns. Then you print patterns on fabric digitally with services like Spoonflower. And that sounds fun! But for me, there’s a problem. It’s creating the pattern. I have a hard time creating a nice pattern from ground zero, starting with nothing, like a blank piece of paper or a blank laptop screen. But I can take existing patterns and mix them together!
With stencils, the pattern is already made for you. You just choose a stencil you like, or mix several stencil patterns together. Then, paint the pattern on fabric:
Now, you may not wind up creating a textile collection sold wholesale at a design center. But we’re not all looking to do that. You can design fabrics for your own use, using your favorite patterns and colors. And who knows, maybe you’ll branch out to sell to friends and family, and maybe even launch an Etsy shop. So, what can you design if you want to be a textile designer? Lots of things! To get your ideas going, here’s a few DIYs I’ve done, with links to tutorials. After these inspiration ideas, I share tips on paints to use with fabric.
Pillows are easy projects for the budding textile designer. They’re small, so if you make a mistake or don’t like the final result, it’s not a huge commitment of fabric. You can always start over with a new piece of fabric.
I started with a plain teal shawl dug out of the back of a closet. I painted the Moroccan stencil on the teal shawl, then sewed patterned teal silk fabric to the sides to make a multi-patterned pillow. I painted with Stencil Creme paint from Royal Design Studio. Below, I share more information about various paints for fabric, including Stencil Creme.
In the Moroccan pillow photo above, you may notice more patterns on the big cushion. I designed a huge seat cushion for an Indian-Moroccan closet nook. That was the project when my inner textile designer started bursting to be let loose! I paired two stencils — one for the top and a different border for the sides — and painted them on a silk fabric with shimmery Stencil Creme:
Again, I used the Royal Design Studio Stencil Cremes to paint this. I must really love those paints!
For this project, I used Chalk Paint by Annie Sloan to stencil on an Ikea rug. I used only three colors of paint, but I mixed them to make five colors in this rug. This took a rug from plain Jane, to exotic Ikat:
Here I stenciled Japanese style stencils on a silk fabric to make an obi-style table runner. But you can stencil on many different types of fabrics to make a table runner that fits your decor. For a farmhouse look, you can stencil on burlap. You can stencil on a plain store-bought table runner. Let your imagination go!
I bought plain absorbent kitchen towels, and painted them with an olive and vine pattern, and colors inspired by the French countryside. This makes a great gift! I stenciled with Chalk Paint by Annie Sloan. This is mostly a decorative towel, so it hasn’t been washed many times. I know Chalk Paint can be durable, but I can’t speak to whether it would hold up on dozens of washings. If anyone has experience with that, please share in the comments! I would think even if the pattern fades, it’s fine, it’s part of the patina of use.
Nearly anything you can think of, you can paint stencils on. That is how you can easily design textiles, without having to create patterns from scratch!
WHAT PAINT TO USE?
You might have questions about what kind of paint to use. The paint you use depends on:
What you’re making
How much wear it will get
Whether you will be washing it.
Fabric Paints — If you’re making something that will go through a washing machine a lot, I suggest using paints specifically designed for fabrics. You may need to heat set the paint with an iron, or mix an additive into the paint that “fixes” it permanently. This means the fabric can be washed and the paint won’t wash out. Dharma Trading sells a huge selection of fabric paint colors. Dharma Trading even organizes fabric paint by light fabrics and dark fabrics, because you want more opaque paints for dark fabrics. I like the Jacquard and Lumiere brand textile paints for stenciling. I’ve found Jacquard and Lumiere fabric paints at my local Dick Blick art store, although Dharma Trading has a far bigger selection, and I found Dharma’s online colors to be accurate so I’m comfortable ordering online. You can also find fabric paints in craft stores like Michaels and JoAnn.
When buying fabric paints to use for stenciling, buy thicker paints, not the really runny paints. It is easier to paint a stencil pattern with a thicker paint. Thinner runny paints may seep under the stencil.
Acrylic Paint + Textile Medium — Another option for a durable paint finish for washables is to use acrylic paint and mix a “textile medium” into it. Acrylic paint comes in smaller tubes so if you want to experiment with different colors, the price is low, like $1.50-2.50 for a tube of paint from brands like DecoArt, FolkArt, Delta CeramCoat or Martha Stewart. Look for the textile mediums in the same sections as the acrylic paint in craft stores. Here’s what you will be looking for:
Chalk Paint by Annie Sloan — Chalk Paint by Annie Sloan can be quite durable. However I have not yet made anything with Chalk Paint that I washed frequently, so I can’t personally speak to its ability to withstand frequent washing. I think it would be fine for items that aren’t washed much. As mentioned above, I’ve painted lamp shades, rugs, and tote bags with Chalk Paint.
Stencil Creme from Royal Design Studio— I love stenciling with this Stencil Creme paint because it was specially formulated to use while stenciling. It’s thick and heavily pigmented, so it’s less likely to run under a stencil. It also has a metallic sheen that I like. I have limited experience with washing fabrics with this paint, but I did accidentally get some Antique Gold Stencil Creme on jeans. I’ve washed those jeans many dozens of times and the paint hasn’t come out. I know you can get paint off fabric with rubbing alcohol, but it’s not noticeable on the jeans so I just left it alone. I’ve mostly used Stencil Cremes on fabrics that I won’t wash much, like the big teal blue cushion in the closet nook, and table runners.
A Final Word about value
Because I’m saying this last doesn’t mean it’s least important. This DIY idea should not at all diminish the importance and value of bona fide talented textile designers. Their creations astonish me. I know I don’t have the ability to do that myself. (At least I think I don’t.) Not all of us can create designs from nothing, and not all of us have the time or resources to do that. If you feel that describes you, and you want to try your hand at this, this is an option for making beautiful textile designs yourself.
If you have any questions, please comment and I will try to answer them!
Here are some in-progress photos to entice you. A base coat of Florence color Chalk Paint by Annie Sloan:
It’s a glorious blue! Blue doesn’t really go in my house colors, so there’s rare occasion to use blue. Here I’m smearing some Olive Chalk Paint all over it. And next, some Country Gray Chalk Paint and Vaseline technique to make chippy paint distressing:
My favorite part of this project was playing with Modern Masters Metal Effects, where you can make rust and copper verdigris. The color turns before your eyes! I painted black plastic shutter hinges with copper paint then used Modern Masters aging patina solution to make verdigris:
Isn’t that copper verdigris cool? And it’s so easy to do!
The final result is a shabby shutter Christmas table centerpiece:
The reason I built the shutter from scratch with new wood is, I really don’t have time to find real old shutters at vintage and antique shops. And, I’ve removed the shutters off our house and cleaned them before. I know what nastiness lurks on and especially behind them. Even though you can clean old shutters, I’m not sure about putting that on my dining table. So I built shutters — easy! with just wood glue! — from a few pieces of aspen wood from Menards.
For the full DIY tutorial and tips to build the shutters and paint, visit my post at the Paint+Pattern website.
BEHIND THE SCENES
I thought I’d share a few behind scenes pics with you. Because I live near Chicago and had to do this project in an unheated sunroom. It’s the room with the most natural light! But in winter it gets dark for photos by 3:00 in the afternoon so I’m boosting the lights, both with additional lighting and in Photoshop.
So here’s what you see:
And here’s what I see:
I could have set up even more lights. Sometimes I’ve worked later in the day with three white lights and additional halogen lights bounced off the ceiling. But I was working fast to get painting done before it got too dark for any photos. That’s winter for ya in the north!
And ohhhh, the sunroom was chilly. And a nice warm room was just within sight …
But I can’t photograph in there. Everything photographed in the house under lights turns yellow-orange. You can see the yellow-orange glow here. It can be adjusted in Photoshop to some extent but doesn’t look as good as natural light.
So in the winter I do a fair number of projects in the sunroom, in the cold, and you’d never know it from photos!
While photographing our dining table, I had to be careful with composition because just out of frame are unfinished walls with holes in them! With blue tape waiting to be painted:
If you look carefully, in the upper left there’s more unpainted walls and blue tape. The dining table is just to the left out of the shot. So this is why photos are cropped close. It didn’t occur to me how difficult it is to photograph the dining room and keep these unfinished walls out of view!
Often in blogs, you see only what we want you to see. We become experts at composition and camouflage. And moving things just out of view. Like cat toys all over the floor. The extra length from 18 feet of garland:
A better, more ambitious blogger than I would make another blog post out of that garland. Do something beautiful by draping it somewhere. You can tell I have no ideas — “something” “somewhere.” I have a full-time job. This blog is a hobby. So I pooled the garland on the dining table so a cat wouldn’t get into it (they’re trained to stay off the dining table, mostly) and called it a night:
It sat there like that for three nights and three days. We’re sorta busy so we don’t even go in the dining room most days. I probably shouldn’t be telling you these things. You’re supposed to think blogger lives and homes are perfect. Of course that is never true! On the third day, I finally cut the garland off at the end of the table and moved the pile to the living room. Which is currently getting painted, and maybe painting will be done before Christmas and maybe the garland will wind up draped beautifully, somewhere over something …
Meanwhile, let me distract you with the gorgeous patina on the shutter hinges! I was able to get that done:
(P.S. Please don’t notice the total lack of pretty holiday napkins. If you came here to dine for real, I promise I would find some for you!)
In the previous post, I shared a super fast and easy tutorial for making scrapbook paper Christmas tree ornaments. Simply trace a paper mache ornament on scrapbook paper, cut the paper and glue it on. Sounds simple, but if you choose a fabulous paper, it can look like much more work than it really was! Like this ornament I made:
Add rhinestone embellishments to make it fancy. Check out the tutorial for some useful tips about how to glue scrapbook paper — I’ve had problems with wrinkling in the past but found a good solution.
Today, we’ll talk about adding another layer of pattern with painted stencils. If you want to stencil on scrapbook paper, I recommend choosing a lighter paper with a more subtle pattern like this paper:
Your ornament doesn’t have to be beige! In fact that’s not very Christmas-y, is it? I think it worked for me because I’m using metallic paints and those can always be made to look festive. You can choose any lighter color. You just want to be sure there’s some good contrast with the stencil color, and it’s easier to paint a darker color on a lighter background.
Next, choose a stencil. You can use a Christmas theme stencil. You don’t have to though. I’ve built up a collection of stencils, as a contributor for the stencil company Royal Design Studio’s blogzine of stenciling ideas, called Paint + Pattern. So I used Indian, Moroccan, Turkish, all kinds of stencils to paint patterns on my ornaments. Think a bit outside the box. You don’t have to use a super small ornament-sized stencil. Those are hard to find, anyway. You can use part of a bigger stencil, like I did here:
This stencil is actually really big. The ornament fits only a very small part of the stencil design, but that’s okay, it gives you a really cool abstract pattern. (And you can see I didn’t clean it before using it again! Oh well.)
Here you see while you’re painting the stencil, much of the paper pattern might get covered up with paint, but don’t worry:
The pattern will peek out when you’re done:
It’s hard to see there, but I swirled several metallic colors through the stencil – silver, bronze, gold. The color changes depending on how the light hits it.
Have fun mixing and matching different colors and patterns. Here’s a collection of ornaments I made in an afternoon, some with just a painted base on the paper mache instead of scrapbook paper:
You can see here I decided to add some colored rhinestones:
You can find sheets of rhinestones like this in scrapbook supply aisles at craft stores.
My sister brought her Quaker parrot to my house for Thanksgiving and here’s the parrot saying “okay” and “hmmm-mmm” to my work:
Literally. Those are among the many words she says. And she really did say “okay.”
Another way to make your ornament interesting is with contrast in texture and finish. I glued a glittery scrapbook paper on an ornament, then stenciled with Chalk Paint by Annie Sloan which has a matte finish. The combo of glitter and matte paint looks interesting. It’s hard to photograph so here they’re tilted into the sun:
Here’s another example of placing a stencil partially on the ornament, and the pattern result:
Here’s a mix of stenciled ornaments and ornaments decoupaged with scrapbook paper, to show the huge versatility even with a limited color palette:
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